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from the studio
I'm June — potter, teacher, keeper of a temperamental kiln
I throw stoneware in a small shared studio at the end of a lane: pots meant to be used hard, washed carelessly, and kept for decades. Everything here is made slowly, one wheel, one pair of hands.
More About Mework with me
What I Offer
Studio Classes
A closer look at the craft — practical guidance shaped around the way you actually work.
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Made-to-Order Tableware
A guided path from first idea to finished piece, with honest feedback at every step.
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Open Studio Visits
Editorial visuals and words for small brands with a strong point of view.
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Explore the Studio
kind words
From People Who Use the Pots
I own tea bowls from three continents and June's are the ones I reach for every morning. The cobalt has a depth photographs simply refuse to carry.
Olive Hartman Collector
She made forty place settings for our dining room and no two are identical — which is exactly the point. Guests ask about the plates before the menu.
Rafael Costa Restaurant owner
Six weeks ago I couldn't centre a lump of clay. Last night I ate soup from a bowl I made, and I'm not sure a store-bought bowl will ever feel right again.
Dee Lin Student
Before you go
Every pot on these shelves has been held a hundred times before it reaches you — wedged, thrown, trimmed, glazed, fired, and turned over in my hands looking for the flaw. If it's here, it passed.
Juneways to begin
Classes & Commissions
Taster Class
$65
- Two hours at the wheel
- All clay and tools provided
- Your best pot fired and glazed
- Collect it three weeks later
6-Week Course
$320
- One evening a week, six weeks
- Wedging, throwing, trimming, glazing
- A shelf of your own in the studio
- Everything you make, fired
- Small group of six
Commissioned Dinner Set
from $900
- Designed around your table
- Thrown, glazed and fired to order
- Studio visit to choose the glaze
- Replacements thrown at cost
the latest
New on the Blog
Wedging Clay Is the Whole Lesson
New students want to throw on day one. We spend the first hour pushing clay across a canvas table instead, and it teaches everything.
Firing Day Nerves, Every Time
Two hundred firings in, I still circle the kiln like it’s a locked exam hall. Here’s what the nerves are actually for.
From the Studio Bench
@terrelle.studio
